I love books, more specifically, I love stories built up by a collection of words. The more beautiful, the better. When there is that synergy of language and story-telling that comes from the heart along side characters that linger long after the book has been closed, the reader experiences that sense of contentment that only beautiful books can give. Cloud Atlas by David Mitchell is such a book. The novel explores the ever-recurring philosophical facet of the human condition; goodness versus evil.
Friday, July 6, 2012
Friday, March 9, 2012
The future Irish writers
It is my belief that classic writing comprises of three aspects; a good story (heart), strong characters and quality writing. Tonight I had the pleasure to listen to four young writers on KFM who all show promise in producing classic writing. Each of them are a member of WriTeen Scene, a creative writing group that was formed last year by Brenda Drumm, Margaret Kane and myself. So the reader of this blog may go ah...here is the bias.
Thursday, October 13, 2011
Review of Trade
It’s a strange paradox that confessionals largely occur either with the priest or the prostitute. Trade makes use of the confessional between an older man and a young rent boy whose services he has procured previously. The play is stripped back to its bare essentials with a minimalist dialogue, a dingy B&B bedroom and two characters that remain nameless. Yet despite the simplicity of the story and setting, there is nothing simple in the execution of this play. It is honest, raw and cleverly places the audience as voyeur and witness to the complexity of both men’s lives.
Wednesday, August 31, 2011
A way with words - connecting the traditional with the digital
In his essay ‘Story-telling: The Gaelic tradition’ Declan Kiberd states that for “the past eighty years in Ireland, the short story has been the most popular form of all literary forms with readers,” and that it has “been the form most widely exploited by writers”. Kiberd highlights that Patrick Pearse saw with “uncanny accuracy” that the future of Irish literature lay in the short story rather than the folk tale. That essay, which formed part of a collection on the Irish short story, was published in 1979[i]. Over thirty years later the short story form continues to be widely exploited by Irish writers today.
Saturday, March 26, 2011
Letting Go?
In the good mother’s way with her sons;
The fledged bird is thrown
From the nest – on its own
But the peasant in his little acres is tied
To a mother’s womb by the wind-toughened navel-cord
(excerpt from The Great Hunger by Patrick Kavanagh)
In the summer of 2002 I visited an unusual place in the Garden County. Just outside Roundwood is an Indian Sculpture park called Victor’s way. This oddity in rural Ireland is owned and managed by Victor, who inherited the land and developed it into a philosophy park. The sculptures are strategically located around the place to enable the visitor to reflect upon the various stages of life.
The fledged bird is thrown
From the nest – on its own
But the peasant in his little acres is tied
To a mother’s womb by the wind-toughened navel-cord
(excerpt from The Great Hunger by Patrick Kavanagh)
In the summer of 2002 I visited an unusual place in the Garden County. Just outside Roundwood is an Indian Sculpture park called Victor’s way. This oddity in rural Ireland is owned and managed by Victor, who inherited the land and developed it into a philosophy park. The sculptures are strategically located around the place to enable the visitor to reflect upon the various stages of life.
Saturday, February 5, 2011
Rejection: a fact of life
There are things we have to do in life and things we have to experience in life. In order to survive we have to breathe, drink, eat, sleep and shelter from the elements. As we develop emotionally and psychologically we experience a wide range of emotions, navigate relationships and ourselves. To a greater or lesser degree we can control our emotions, avoid relationships and avoid experiences. But there is one area of experience that we cannot avoid…that ever perennial problem of life; rejection.
Sunday, March 14, 2010
Success - To fear or not to fear
“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you…,”
“Return to Love” by Marianne Williamson*
Despite the plethora of advice that tells us to think positive or use affirmations to heal or visualize the perfect life, career or lover, there is one crucial aspect missing from all this advice, which is the utter fear and dread of success. As odd as this sounds, many of us are terrified of it.
“Return to Love” by Marianne Williamson*
Despite the plethora of advice that tells us to think positive or use affirmations to heal or visualize the perfect life, career or lover, there is one crucial aspect missing from all this advice, which is the utter fear and dread of success. As odd as this sounds, many of us are terrified of it.
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